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Coming up: ‘MOTHER’S RUIN’ – FEMALE GROUP SHOW at Stolen Space

‘MOTHER’S RUIN’ – FEMALE GROUP SHOW

‘Mother’s Ruin’ opening at the StolenSpace Gallery on 25th April will showcase new works by four of our represented female artists Meryl Donoghue, Chloe Early, Jessica Harrison and Kirsty Whiten. The show will feature paintings, drawings and sculpture in various media.

While each artist works in a different way and with a different approach, their work sits comfortably alongside each other, and the edge that each brings to the table complements the others. From Chloe Early’s more overtly feminine oil paintings through to Jessica Harrison’s dark and extreme eyeball and teeth sculptures, come and feast your eyes on what our female artists have to show you…

Smile forever – “wear a mask”

Had an email from Moenipulation detailing his project, and this is what he had to say:

“I am an artist whose work is based upon my experience within the UK graffiti scene since the mid 80’s.

Through these experiences I have developed and experimented with the concept of producing marks within locations in acts of portrayal and literal vandalism with the intent to cause reaction from the onlookers.
The imagery is framed within our ornate world diverse and subversive, creating unique and paradox moments which are documented and transferred to new vantage points producing an alternative perspective.

I.D:EALISTIC

Masking is the art of creating a mark within a location using a persona. Creating from the everyday in such a manner as to be unique and provocative, just as the strange can be an everyday event.

People from across the globe have taken part in my project and the invite to participate is still open.

For more details visit: www.moenipulation.co.uk

Banksy’s Rival Nick Walker Sells 750,000 Pounds of Street Art

From Bloomberg

April 19 (Bloomberg) — Nick Walker, an old spray-mate of fellow British street artist Banksy, sold 750,000 pounds ($1.5 million) of paintings and prints this week at the start of his first one-man show in the U.K., the gallery said yesterday.

All but two of 60 original Walker works on offer, many featuring his anarchical alter ego, “The Bowler-Hatted Vandal,” found buyers within hours at the Black Rat Gallery in Shoreditch, east London, gallery director Mike Snelle said in an interview. Prices at the exhibition, which started with a private view on April 17, ranged between 2,000 pounds and 35,000 pounds.

“I’m proper pleased,” said Walker in a telephone interview. “I couldn’t believe anything like this could have happened.” Walker, 39, said demand for his work had gone “pretty crazy” after Bonhams’s Urban Art auction in London in February. At that sale, his 2006 spray-paint-on-canvas “Moona Lisa,” showing La Giaconda exposing her bottom, sold for a record 54,000 pounds with fees, more than 10 times the upper estimate.

Walker said that he had got know Banksy in Bristol, western England, in the late 1990s when he was invited to be part of the “Walls on Fire” group of graffiti artists.

“We don’t talk too much now,” he said.

Two new Walker prints were issued online in editions of 150, priced at 450 pounds each. These sold out within seconds, said Snelle. The complete edition of a third new print, titled “Life’s 2 Short,” priced at 750 pounds, was reserved for the first 75 people in the line. Some people were photographed with numbered certificates to ensure they didn’t sell their place.

“We had at least 60 people camping out the night before to make sure they were at the front,” said Snelle.

“For a lot of people it’s all about being part of a memorable experience. It’s a bit like going to Glastonbury.”

Dale Clark, a property developer from Hoxton, east London, queued through the night to buy one of the prints and a 4,500- pound painting.

“This was the first art show I’ve been to,” Clark said in an interview. “It was manic. There were people everywhere, red dots everywhere. This kind of art is all about impulse and passion.”

For some it’s also about trying to make a quick profit. At least half a dozen “Life’s 2 Short” prints were being “flipped” on EBay Inc’s Web site priced up to 13,000 pounds. At the time of writing, the prints had bids of up to 2,272.22 pounds and none had been sold.

Snelle said that more than 500 people had crowded into the gallery for the private view. More than 20 of them had flown from the U.S. especially for the show, he said.

“People now realize that there’s more to street art than just Banksy,” said Snelle, who earlier in the week had laser- beamed Walker images on Big Ben and the Bank of England to promote the show.

Other street art aficionados remain to be convinced that Walker is the new Banksy.

“The incredible price tags were shocking when held up against the rather simplistic subject matter of the work,” said a user called Danvnuk on the street art discussion site, banksyforum. “It isn’t challenging, there’s no depth, but compared to someone like Banksy whose work always contains some wry observation, or poking fun at the human condition, it left me quite underwhelmed.”

The auction record for Banksy is the $1.9 million paid for the 2007 painting “Keep it Spotless” at Sotheby’s “Red” charity sale in New York in February, according to the saleroom result tracker Artnet.

The show runs though May 3. For information: click on http://www.blackratpress.co.uk/ or telephone +44-207-613-7200.

HMP London

As seen in Finsbury Park, London

Laz Inc presents Miranda Donovan

Lazarides Gallery is delighted to present the first solo show by young British painter, Miranda Donovan. Donovan’s unique work fuses an interest in the techniques and outlook of street and urban artists with a dedication to the possibilities and practice of painting. For her Lazarides exhibition, Donovan will present over twenty paintings from five new series of works.

9 May – 30 May 2008 at Laz Inc, London

Pedestrian – Push button for a duck

As seen on Kingsland Highstreet, East London. With thanks to Ben Irwin.

Current exhibition – La Paz (Will Barras) @ StolenSpace

‘La Paz’, opening at the StolenSpace Gallery on the 3rd April will showcase new works by Will Barras. The show will feature paintings on canvas, linen and fabric in acrylic alongside the release of 2 new screen prints hand pulled by the artist.

“Will Barras’ composition and fluid lines provide poignant detail in liquid abstraction. The subject matter is readily familiar, but captured in a manner that seems to jar time and space with psychedelic abstraction. It is his way of expressing the emotional movements of this labour. It is therapy and pleasure and necessity. Though Will is more passionate about Cricket, and even the art of the poached egg than he is of Skate or Snowboarding, he is hailed as one of the visual artists who best represents these influential creative movements. This is not only an indicator of his prolific work rate and good nature, his artwork featuring on all types of boards, clothes and mural campaigns, but more so of his unique voice, technical competency and sense of exploration.”

Harlan Levey, Modart Magazine

Will is in high demand both commercially and artistically. He directs for the animation production Company Bermuda Shorts and designs for other commercial projects that excite him.

Alongside his commercial work Will rarely takes a rest from painting and exhibiting. Last year he participated in the acclaimed Wooster on Spring exhibition in New York which saw people queuing for over five hours to get in.

He has also exhibited as far and wide as Philadelphia, Los Angeles, Brussels, Edinburgh, Mayrhofen, Oslo, Copenhagen, Bratislava, Cologne, Budapest, Warsaw and London.

StolenSpace are extremely excited to present Will Barras’ latest solo exhibition, and from the glimpses we have seen so far, it is without doubt his strongest collection of work to date.

STOLENSPACE GALLERY
Dray Walk, The Old Truman Brewery
91 Brick Lane
London E1 6QL
United Kingdom

P: +44 (0) 207 247 2684
info@stolenspace.com

OPENING TIMES
Tuesday – Sunday
11:00am – 7:00pm

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